There are hugely diverse and differing needs and goals for XR distribution depending on whether one is an artist, a venue or curator, or a funder, and depending on what format of XR is being discussed. Many attempts have been made to articulate the problems and identify possible solutions, and multiple strategies are required to address the gaps. Here, we are framing our approach around pipelines; that is, what are the possible trajectories that different projects might take on their journey to finding audiences.