Rachel Devorah is a sonic artist and feminist technologist whose works engage the poetics and politics of their specific context. Her work has been heard in the U.S. at Art in Odd Places, the Computer Music Center at Columbia University, the Granoff Center at Brown University, Music for People and Thingamajigs, the National Opera Center, Omaha Under the Radar, Pioneer Works, The Stone, and the Watermill Center, as well as abroad in Canada, China, England, Estonia, Finland, France, Ghana, Italy, the Netherlands, and Norway. She has received support from MassMoCA, the New Museum, New Music USA, EMS (stockholm), GRM (paris), MoKS [Estonia], røst [Norway] and STEIM (amsterdam) and has published writings on art and social power in Emergency Index, Feminist Media Histories, and parallax. She is the 2018-2019 Adrian Piper Research Archive Foundation Berlin Multi-Disciplinary Fellow.
While at OpenDocLab, Rachel worked on radiant drift, a collage of hydrophone and field recordings, spoken personal narrative, and electronic music. Her other projects include orange drop and Mémoire.