Ainsley Sutherland is a media technologist and researcher working in immersive computing and human-computer interaction design. She is a cofounder of Mediate, a company that enables collaboration in and analysis...
FRONTLINE has spent the last three years exploring how they can bring its journalism to life in new ways through VR. How might it feel to be locked up in...
On Snapchat, you can view “Stories” about specific events or locations that consist of a sequence of snaps from different users. Some Stories are curated and carefully composed by Snapchat’s...
There is a story-making revolution underway. New channels have opened for audio distribution. There’s a rise of live platforms in communities large and small across the country. Creative talent is...
What does VR mean for documentary? What excites the makers the most about VR? What are the best and worst uses of VR? What is the future of VR? Vicki...
Film audiences understand a movie like Christopher Nolan’s Dunkirk to be a serious work by a serious artist. We don’t find it strange that it is distributed alongside pure entertainment...
Sultan Sharrief is a transmedia activist, filmmaker, educator, and social entrepreneur. Sharrief’s interest lies at the intersection of art, business, and community impact. His directorial debut, Bilal’s Stand, premiered at...
Sara Rafsky joins CMS and the Open Documentary Lab after working in Mexico City as Researcher on Central America at Amnesty International. Before that she was the Americas Research Associate...
Game culture and game design have long been thinking about user experience, interaction and emergent narratives. How is VR changing gameplay? Are games driving current trends in VR? What can...