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Charting Documentary’s Futures | An Interview with William Uricchio [Part Four]

Charting Documentary’s Futures | An Interview with William Uricchio [Part Four]

Originally published in Confessions of an Aca-Fan, the original Weblog of Henry Jenkins. Charting Documentary’s Futures: An Interview with William Uricchio [Part Four] The report’s focus on immersion as a dimension of news and documentary may be new to many readers, despite the New York Time’s recent venture into virtual reality. So, can you share a bit more about the current state of immersive journalism and why you think this...
Charting Documentary’s Futures | An Interview with William Uricchio [Part Three]

Charting Documentary’s Futures | An Interview with William Uricchio [Part Three]

Originally published in Confessions of an Aca-Fan, the original Weblog of Henry Jenkins. Charting Documentary’s Futures | An Interview with William Uricchio [Part Three] On the documentary side, the American public has probably never had access to as many different documentaries as they do now — more are playing on television, more are getting theatrical runs, more are playing on the festival circuit, more are available through online platforms. So,...
Charting Documentary’s Futures | An Interview with William Uricchio [Part Two]

Charting Documentary’s Futures | An Interview with William Uricchio [Part Two]

Originally published in Confessions of an Aca-Fan, the original Weblog of Henry Jenkins. Charting Documentary’s Futures: An Interview with William Uricchio [Part Two] You argue that the story should dictate the form, yet many aspects of the form of American journalism — the inverted pyramid for example and the core shape of the lead paragraph — have remain fixed without regard to the story. Some traditional journalists would argue that...
Charting Documentary’s Futures | An Interview with William Uricchio [Part One]

Charting Documentary’s Futures | An Interview with William Uricchio [Part One]

Profile: William Uricchio of MIT’s Open Documentary Lab from Submarine Channel on Vimeo. Originally published in Confessions of an Aca-Fan, the original Weblog of Henry Jenkins. Charting Documentary’s Futures: An Interview with William Uricchio [Part One] For the better part of a decade, William Uricchio and I worked side by side, partners in crime, as we forged the Comparative Media Studies program at MIT. I came to lean heavily on...
Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism

Mapping the Intersection of Two Cultures: Interactive Documentary and Digital Journalism

Supported by the John D. and Catherine T. MacArthur Foundation, The MIT Open Documentary Lab conducted an eight-month research project mapping and assessing the dynamics of an ongoing convergence between interactive and participatory documentary practices and digital journalism. The project launched in October 2014 with a convening at MIT, The New Reality: Exploring the Intersection of New Documentary Forms and Digital Journalism. Forty leading professionals from the worlds of interactive...
Moments of convergence and innovation between documentary film and interactive media, Part 8

Moments of convergence and innovation between documentary film and interactive media, Part 8

Moments of convergence and innovation between documentary film and interactive media: Decade 1990-2010 by Arnau Gifreu Castells. To formulate a relevant concept for the interactive documentary field we need to explore some aspects of the two key areas: the documentary genre and the interactive medium. This new series presents a combined, parallel, and comparative historical chronology of these areas up to the present moment of confluence. The two stories we are...
Moments of convergence and innovation between documentary film and interactive media, Part 7

Moments of convergence and innovation between documentary film and interactive media, Part 7

Moments of convergence and innovation between documentary film and interactive media: Decade 1980-1990 by Arnau Gifreu Castells. To formulate a relevant concept for the interactive documentary field we need to explore some aspects of the two key areas: the documentary genre and the interactive medium. This new series presents a combined, parallel, and comparative historical chronology of these areas up to the present moment of confluence. The two stories we...
Moments of convergence and innovation between documentary film and interactive media, Part 6

Moments of convergence and innovation between documentary film and interactive media, Part 6

Moments of convergence and innovation between documentary film and interactive media: Decade 1970-1980 by Arnau Gifreu Castells. To formulate a relevant concept for the interactive documentary field we need to explore some aspects of the two key areas: the documentary genre and the interactive medium. This new series presents a combined, parallel, and comparative historical chronology of these areas up to the present moment of confluence. The two stories we...
Challenging Convention | Raney Aronson-Rath

Challenging Convention | Raney Aronson-Rath

PART 3: Challenging Convention. I remember walking into our newsroom on that day and telling our then head of digital Andrew Golis how clear it was to me how the documentary form would be challenged, and we’d need to truly pay attention to not just the digital linear space as we were already doing and FRONTLINE had always done — but to what I believe is a direct challenge to our...
No Turning Back | Raney Aronson-Rath

No Turning Back | Raney Aronson-Rath

PART 2 – No Turning Back. We’ve all had that moment (well, those of us not born with iPads!) when we realized there was no turning back on embracing the digital disruption that was taking place. Looking back I wonder to myself, how could I not have known how dramatically our field would change? It started for me in a fundamental way four and a half years ago when the...