Posts
Challenging Convention | Raney Aronson-Rath

Challenging Convention | Raney Aronson-Rath

OpenDocLab Fellow Raney Aronson-Rath describes what it’s like to be back in school after 20 years. Her blog will follow her year-long journey as she re-imagines how interactive documentary filmmaking will impact her thinking and her work at FRONTLINE, where she is Deputy Executive Producer. This piece was originally posted at raneyaronson.tumblr.com.  PART 3: Challenging Convention I remember walking into our newsroom on that day and telling our then head of digital Andrew Golis how clear it...
No Turning Back | Raney Aronson-Rath

No Turning Back | Raney Aronson-Rath

OpenDocLab Fellow Raney Aronson-Rath describes what it’s like to be back in school after 20 years. Her blog will follow her year-long journey as she re-imagines how interactive documentary filmmaking will impact her thinking and her work at FRONTLINE, where she is Deputy Executive Producer. This piece was originally posted at raneyaronson.tumblr.com.  PART 2: No Turning Back  We’ve all had that moment (well, those of us not born with iPads!) when we realized there was no turning...
Back to School | Raney Aronson-Rath

Back to School | Raney Aronson-Rath

OpenDocLab Fellow Raney Aronson-Rath describes what it’s like to be back in school after 20 years. Her blog will follow her year-long journey as she re-imagines how interactive documentary filmmaking will impact her thinking and her work at FRONTLINE, where she is Deputy Executive Producer. This piece was originally posted at raneyaronson.tumblr.com.  PART 1: Back to School I had one of those weeks where big moments collided: ­ my daughter started kindergarten, my son...
Liveblog: Theo Rigby on the Making of Immigrant Nation

Liveblog: Theo Rigby on the Making of Immigrant Nation

Filmmaker and photographer recently visited OpenDocLab shortly after the NYC launch of his interactive, participatory documentary Immigrant Nation. The following is a live blog of his presentation, including some documents related to the project’s design and development process. Theo Rigby: I’m a filmmaker from San Francisco. I’ve been working with immigrant and undocumented communities for 10 years. Tonight I wanted to share the story of the story behind Immigrant Nation...
Announcing the 2014-2015 MIT OpenDocLab Fellows

Announcing the 2014-2015 MIT OpenDocLab Fellows

The MIT Open Documentary Lab is pleased to announce its new fellows for the academic year 2014-2015.  This distinguished group of documentary storytellers and experts will be in residence at MIT to experiment with new techniques and technologies and explore new ways to tell stories, and create social impact. The goal of the residency is to give a community of documentary storytellers and researchers the time and space in a...
Video4Change Impact Research | Andrew Lowenthal

Video4Change Impact Research | Andrew Lowenthal

OpenDocLab Fellow Andrew Lowenthal describes the origins of EngageMedia, the video4change network and his current work at the Lab. In early 2013, the Open Documentary Lab and Center for Civic Media began a collaboration with EngageMedia and the video4change network to explore the impact of Video for Change; the innovative use of video towards advocacy aims. I have been involved in what we now call the Video for Change field...

David Dufresne visits Open Doc Lab

David Dufresne visits ODL   Last week the Open Doc Lab was lucky enough to host an impromptu presentation with David Dufresne, creator of Fort McMoney, one of this year’s hottest interactive pieces. The project  was produced by Toxa, the National Film Board of Canada, and Arte with additional financial support from the Canada Media Fund (CMF/FMC). For the few of our readers who haven’t checked it out (or seen...
Marisa Jahn: Macaronic Dialogues and Interactive Media, Part 1

Marisa Jahn: Macaronic Dialogues and Interactive Media, Part 1

Macaronic Dialogues and Interactive Media by Marisa Jahn (REV-) *    *    *    *    *    * Marisa. Artist type. Rough around the edges. Melissa. Sharp and well-read, but not an academic; well-groomed, well-poised. Lives in the Upper West Side of Manhattan (a liberal and upscale neighborhood); runs a part-time design blog and is a full-time mom. Unbeknownst to Melissa, she is who Marisa imagines as her better half...
Notes from Sundance: "Beyond Butts in Seats and Tweets"

Notes from Sundance: “Beyond Butts in Seats and Tweets”

Sundance’s New Frontier hosted a panel, Beyond Butts in Seats and Tweets, How Do We Know Films Are Making a Difference? at Sundance 2014. It  prompted a lively discussion about the challenges and possibilities for filmmakers who want to measure the social impact of their films.   Below is a loose transcript of the panel and a list of resources mentioned. Participants Moderator: Wendy Levy, director, New Arts Axis Richard Perez,...
How Sundance's New Frontier Section Confronts Age-Old Ideas and New Questions

How Sundance’s New Frontier Section Confronts Age-Old Ideas and New Questions

by Desi Gonzalez Now in its eighth year, New Frontier is the Sundance Film Festival’s series highlighting innovation and experimentation in storytelling. For many festivalgoers, the works in the New Frontier exhibition are unfamiliar territory, ranging from participatory installations and projection mappings to performance and virtual reality. It’s also fairly young terrain for the programmers at Sundance, as well. The premise of this iteration, curated by Shari Frilot and dubbed...
Brave New Story Worlds at Sundance's New Frontier

Brave New Story Worlds at Sundance’s New Frontier

This post originally appeared on indieWIRE.   Near the end of a panel discussion titled “The Story World: Creating Interactive Experiences That Work” – part of the Sundance Film Festival’s New Frontier program – Jonathan Harris cautioned aspiring new media storytellers to think about the tradeoff between timeliness and timelessness in their work. “Whenever you’re dealing with bleeding edge technologies, there is the trap that you’re just doing things that are...

Welcome Back

A quick catch up at the close of the summer from Open Doc Lab RA Julie Fischer. Last week, Comparative Media Studies – the departmental home of the Open Doc Lab here at MIT – gaveled in a new year with graduate student orientation. The incoming class of 2015 presented on their own backgrounds, bios and intellectual histories. They’re an amazing group of thinkers and makers adding a whole new...